Engineers promoted light-stick framed construction with plywood sheets (and later oriented-strand boards) because it used smaller sticks efficiently. Foresters and economists faced pressure for maximum utilization. Postwar housing required even more lumber. In the meantime, demand for ammunition pallets and crates during World War II created lumber shortages. However, disagreement about specific considerations persisted for decades. In April 1919, attendees of the first American Lumber Congress called for size and terminology standardization. As retailers clamored for more regulated measurements and standards, trade associations were formed. Lumberyards demanded uniformity so that builders could compare cost and quality. And the differences in how lumber was sized, surfaced, and dried became apparent in the lumberyard, where a medley of species in various dimensions claimed to be 2x4s. This development coincided with the mid-19th-century evolution of building framing-from timber-braced to light-stick balloon and its derivatives-which progressively utilized greater amounts of “small dimension stock,” like 2x4s. The same steam engine technology that powered the railroad, for instance, enabled the newly invented circular saw to achieve faster, continuous cuts in the sawmill. Other factors also drove the market toward smaller sizes. The 1909 textbook Construction Superintendence acknowledged that lumber classification was “a matter of judgment” and cited lumber inspection rules for three areas that they considered to be major centers: Saginaw (west), Maine (east), and Baltimore (south). And they influenced manufacturers’ associations to prescribe commercially advantageous sizing rules. They produced optimal finished sizes of preferred species by kiln drying to control moisture content. Lumbermen favored thinner, lighter sizes for longer hauls. Thus, the physiological variables of density and moisture began to have an outsized impact on forestry economics. According to the US Department of Agriculture’s “History of Yard Lumber Size Standards,” shipping charges, determined by distance traveled and weight, doubled the cost of lumber. The phenological and physiological variability among species was influencing purchase economics.Īt the turn of the 20th century, lumber was commonly sold FOB-free on board, with the purchaser responsible for shipping-as it is today. Buyers needed convincing to purchase lumber from unfamiliar species, and hence marketing focused on differentiating attributes such as ease of use, workability, strength, load capacity, and grain movement. For example, southern pine forests called “pineries”-consisting of shortleaf pine, slash pine, longleaf pine, loblolly pine, and other less common species (collectively known as southern yellow pine, SYP)-were pitted against western Douglas fir, western hemlock, and spruce forests. A new phenomenon was born: species intermingling at market.Ĭompetition occurred among regions, or more fundamentally, among species. Lumbermen purchased vast areas of forestland in the north, south, and west of the country. With the advent of the railroad in the 19th century, transportation options and demand for wood increased. Rivers, canals, and lakes, made Bangor, Albany, and Chicago wholesale timber capitals. Trees were floated out of their watershed, breaking the link between lumberman and carpenter. Prime forestland-determined by tree size, species type (originally and exclusively white pine), and access to transportation-was changing. Supply and demand concentrated around the major port cities of New York, Baltimore, Boston, and Philadelphia. As trees were harvested, however, human ecology transformed forestland into farmland with landscapes deforested for many generations to come.Īvailable forestland, therefore, moved toward the hinterlands as nearby areas were cut over. North American forests seemed an unlimited resource for almost everything. Sizing tolerances varied, thus leaving final measurements to site construction. Before industrialized wood production, which began around 1870, trees were felled, skidded, sized, and made to order for carpenters. To accurately reflect its dimensions, the 2x4 should be renamed the 1½ x 3½.Īn obsessive concern for material efficiency in the United States, the dominant global user of light-stick framing (also known as 2x4 stud construction), has driven the use of the 2x4 and its resultant commodity homogenization. The naming of this building material is the result of compromise between forestry technology, species’ properties, forest composition, transportation efficiency, construction speed, and price competition. The ubiquitous lumber product known as the 2x4 does not, in fact, measure two inches thick by four inches wide.
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The OCR engine recognizes the following languages:īulgarian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Polish, Portuguese, Rumanian, Russian, Serbian, Slovenian, Spanish, Swedish, Turkish, Ukrainian, and Norwegian. OCRKit is fast and accurate, ensuring the document’s content remains intact while saving time as well. It increases the efficiency and effectiveness of office workflow. 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To make the preview version available in your Start menu, right-click exeand click Pin to Start Menu. You can find a full list of shortcuts for each development platform. The Studio lets you program on Mac, Windows, and Linux with Java, Kotlin, and C/C++ languages. Which language is used in Android Studio? Follow the setup wizard prompts to complete the installation.Choose if you want to import previous settings.Drag Audio Studio and drop it in the Applications folder.Obtain and open the Android Studio DMG file.If you already have an Android Studio build on the Stable channel, you can get the update by clicking Help > Check for Update (Android Studio > Check for Updates on macOS). You can download and install Android Studio on Mac computers by following the following process: Android Studio 4.2.1 is now available in the Stable channel. The layout editor has a drag-and-drop feature with the ability to use multiplier screens to preview the content. For instance, there are refactoring and bug-fixing tools for advanced coding, and also integrates with Firebase Cloud Messaging. And on OSX in particular, they will often be different. The version of the JDK that it uses to get the Java compiler from These two can be (and usually are) the same, but you can configure them individually. You should have a non empty response.Android Studio is the integrated development environment (IDE) for the Android operating environment and has a long list of features. Mac OSX JDK Selection Android Studio requires two different JDKs: The version of Java that the IDE itself runs with. Once done, quit the Terminal window, reopen a new one and type the following command to check if the system variable has been persisted: echo $ANDROID_HOME profile file, type CTRL + X, then type Y followed by the ENTER key. You should have a screen similar to the following screenshot: In the Text Editor, add the following line export ANDROID_HOME=/Users/HDO/Library/Android/sdk Android Studio is full of all factors for you to create your own apps and. Open the Terminal app and type the following commands: cd $HOME Android Emulator for Mac allows you to run Android apps on your Mac, which is. Drag and drop Android Studio into the Applications folder, then launch Android Studio. Drag and drop Android Studio into the Applications folder. Install Android Studio on Mac OS X Launch the Android Studio DMG file. This file should contain all the commands that should be executed before the Terminal Window session starts. To install Android Studio on your Mac, proceed as follows: 1. profile file in the user's home directory. One way to do this is to create or update a. The ANDROID_HOME system variable must be persisted when you leave and resstart a new Terminal Window. Step 3: It may take some time to load the Bluestacks app initially. After successful installation, open Bluestacks emulator. Persist the ANDROID_HOME system variable for the current user Step 1: Download the Bluestacks 5 software from the below link, if you haven’t installed it earlier Download Bluestacks for PC Step 2: Installation procedure is quite simple and straight-forward. You should see the following result: add-ons extras patcher platforms system-imagesīuild-tools licenses platform-tools sources tools To check the ANDROID_HOME is correctly setup type the following commands: cd $ANDROID_HOME Open the Terminal app and type the following command: export ANDROID_HOME=/Users/HDO/Library/Android/sdk Open the SDK Manager and make a copy of the Android SDK Location : On the right pane, select the SDK Platforms Tab and select the SDKs for API level 22 up to 24.Ĭlick the OK button to download and install these Android SDKs.Īfter accepting the licence you should see the following screen: Once installed, you get the Welcome to Android Studio window :Ĭlick on the Configure Button and select SDK Manager: On the Verify Settings window, click Finish. Select a Standard installation and click Next. The Android Studio Setup Wizard guides you though the rest of the setup, which includes downloading Android SDK components that are required for development.Select whether you want to import previous Android Studio settings, then click OK.Android Studio is available at: https://developer. Drag and drop Android Studio into the Applications folder, then launch Android Studio. Installation guides for common application development tools.To install Android Studio on your Mac, proceed as follows: Latest current version for Android Studio is available at: The fastest way is to download and install Android Studio. The purpose of this section is to guide you to install in your development environment all the dependencies for Android development. But if you cease to teach cursive writing, how does one know how to, I don’t know, replicate the Declaration of Independence? Or the orations of Cicero? Is it just going to be on the internet?” ~ Peter Weller “Here we are signing autographs for people who essentially know know how to write their name and are functionally literate.I do these shows just to stay in touch with them.” ~ Peter Weller The good thing is, when I do them, it does puts me back in touch with the people who go to movies. So I don’t have time to do a lot of conventions. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”” ~ Peter Weller Miles, when I finally met him, he knew he had a sucker walking in the door. I met him every time I had a movie interview, I would shift the conversation to jazz. “Miles Davis, my one and only real hero of my life.“I’m just gonna be real grateful to be on any freaking movie set for the rest of my life.” ~ Peter Weller.Eating the popcorn, being with other people you don’t know.” ~ Peter Weller “The best reason to go to the movies is to be with other people.“If you’ve got kids you know you’ve only got one prayer: “Let my kids outlive me.” That’s the bottom of everything.” ~ Peter Weller.“Art has absolutely changed my life.” ~ Peter Weller.“My career was always full of risks one way or another, and that’s the way I like it.” ~ Peter Weller.“The goals are not about the sweet smell of success as much as it’s about enjoying a damn day on the movie set… I live in a complete state of grace.” ~ Peter Weller. It is quite touristy and mostly straight, but it is still a place that any night owl visiting San Miguel should visit at least once.Īnother must-see for visitors, gay or straight, is sipping cocktails as the sun sets at the fabulous Luna rooftop outdoor bar atop the elegant Rosewood San Miguel de Allende hotel (Nemesio Diez 11). Even during the day, Mama Mia is a fun place to have a beer and socialize, especially on the terrace. If you stop by Petit Four and run into Paco, he can also give you some helpful tips on other gay-friendly places to eat and drink in San Miguel.Īrguably the most famous spot in town for live music, dancing, and drinks is Mama Mia (Umaran 8), which is just one block from the city’s famous El Jardin central square and is a popular club, bar and restaurant. Gay-Friendly Destinations in Miguel de AllendeĪ particular favorite among gays and straight people is the Mint lounge and dance club (Mesones 99), which is located next to the wonderful gay bakery and cafe, Petite Four, whose talented co-owner Paco Cárdenas also teaches cooking classes. Still, San Miguel is home to a handful of lively bars and dance clubs, all of them fairly gay-friendly, and some with a notably gay following. These are the kinds of places that tend to attract those over 35, and more couples than singles. Both cities have a good number of GLBT residents and are also quite popular as gay travel destinations, but neither of them will you find many specifically gay nightlife options. Filled with charming little hotels, fancy restaurants, fine art galleries, and stylish boutiques, San Miguel reminds many visitors of another Spanish colonial desert town with a similar elevation (around 6,500 feet), Santa Fe, New Mexico. Lukas tells us that they used to be funnier, with Karl having jokes like, “Warning: Stairs. I haven’t been noticing them at all, but I guess we were supposed to. Weirdly, we can now bring up the various warning signs around the castle with Lukas. Lukas denies it, although he’s like, “Although I did lock you out when you first showed up! Ah, remember the good times.” Nancy’s like, “Yeah, that was only like two hours ago.” Let’s see if it was Lukas who trapped us between the gates. Curse you, mystery culprit! Do you want Nancy to be running around in horse shirts and mom jeans until the end of time? Dun dun dun! So that explains how people are getting in there and jacking up Nancy’s clothes. The door after the arrow leads to…Nancy’s room. We go back in and follow the passages until we see a red arrow on the wall. Well, that’s infinitely more helpful than just stumbling around in the passages until we find a way out (Nancy’s body will lie in the Chamber of Secrets forever!), so we’ll use this to get around from now on. Under a nearby rock, we also find a map of the passages. I love finding expensive jewelry buried in the dirt! Nancy muses that the girl in the story must have been hiding the necklace - but why? Right? I would’ve sold it, personally. The page was about a girl hiding something in the woods, so we start digging on the ground around the boulder to see if we find anything. We come face to face with a huge rock, and Nancy will note that it’s the same boulder as in the story page we found. Monsters do laundry too, Nancy!Īt the end of the passage, we see an open door, that leads us back out into the forest. Well, maybe he just needs a change of clothes. We find a fourth story page, with “ME” at the bottom, as well as a coded message.ĭown one of the other hallways, we trip over a barrel, and when we look inside, we find the monster’s outfit. Oooh, it looks like Karl has a motive to be scaring people away from the castle. To make matters worse, he was also caught on tape ranting about how much he hates tourists and wishes they would stop coming to Castle Finster. There’s an article about how Karl’s approval rating is at a record low, because he’s refusing to deal with the monster. On the floor, we find a bunch of copies of the castle newspaper - the English version, conveniently. We go through a maze of dark, abandoned stone walls and dirt floors. What? Nancy? Taking precautions? I am shocked. “I better take that stone tile with me I don’t want anyone to follow me through,” Nancy says. Once that’s done, the side of the well will open up to reveal another secret passageway. The rock we found in the woods is put in the center of the design, and now we have to spin the stones so that the touching edges have the same pictures. We use the flashlight to see down to the bottom, and we find this puzzle. Recalling the story page about a girl trapped in the well, we can assume that our next move is to look there. We also find a flashlight! Wait, we were running around the woods and the dungeons without a flashlight? We didn’t even have a glowstick? We find a camp behind the shrubs, and we pick up this mysterious…rock…thing. We try to follow the path, but the bush is in our way, so we have to use the shears to cut through it. Wow, it’s a good thing that that burr only comes from a single bush in the entire forest. We come across this bush, and Nancy notes that it’s covered in the same kind of burr we found earlier. It’s entirely possible that we’re about to get abducted and murdered in here! Meanwhile, back in River Heights, Ned’s probably teaching himself how to crochet or some shit. We didn’t need its clothing for that, Nancy. The gates open, and now we can wander off into the woods in search of the monster! Nothing could go wrong! A piece of its clothing has snagged on the gate, and Nancy says that this is proof that it wasn’t her imagination. We want to slide the bars around so that the red, green, and blue bars are under the gate release sign. The key opens the cupboard, where we find this puzzle. It’s locked, but we find the key hidden behind a stone right above it. In the wall next to us, we see this cupboard. So we escaped that particular fate, but we still have to find a way out from between the gates. We were alone with the monster for a moment, but then it was like, “Eh, too much effort” and wandered off instead of kidnapping us. So someone closed the castle gates on us, leaving us with no way in or out. Everyone’s like, “Uh, Nancy, you’re a young girl,” and Nancy’s like, “Yeah, but were those other girls super sleuths? I don’t think so.” We just want to look like the cool kids! We found out that the castle has a very dark history of young girls disappearing into the woods. Previously on Nancy Drew: The Captive Curse: We got a change of clothes, so now we look like all the Bavarian peasants running around this castle. One arena could have explosive canisters with riot-shielded cops and once you think it’s done, two Goro’s spawn in to unleash an unforgiving ass whopping. Each level is randomly generated with new enemies, weapons, interactive items of destruction packed in new and familiar arenas. However, once you complete the “warm-up round” you are smacked in the face with utter brutality. My only complaint is that the new tracks do not seem to carry over into the campaign missions and appear to be solely linked to the new Survival mode.Īt first glance, Survival mode appears to be your traditional horde mode which consists of multiple waves of enemies coming at you. The new audio tracks are just as smooth as the rest of the tracks in the base game. Shiva also doesn’t pick up weapons, rather he kicks them toward his foes which can lead to some spectacular kills. His air combo moves are ridiculous and beautiful to watch. Estel Aguirre has a good variety of moves, but Shiva is an absolute beast!. To avoid campaign spoilers, I’ll just say it was great to see him return, and I was over the moon to see him return as a playable character thanks to this DLC. Since I’m a lifelong wrestling fan, Max Thunder was always my go-to character in Streets of Rage 2 & 3. A new Survival mode with stackable buffs, over-the-top weapons & upgrades, and a gauntlet of deadly arenas. Original music from Tee Lopes ( Sonic Mania, League of Legends, TMNT: Shredder’s Revenge).Three new playable characters: Estel Aguirre who debuts as a boss in Streets of Rage 4, as well as series favorites Max Thunder and Shiva, a badass boss who is also Mr.Instead, we get a cool mixture of goodies wrapped around a challenging new gameplay mode. X Nightmare is not your traditional DLC one would expect such as a continuation of the campaign or some new side missions. So when I heard developers Dotemu, Lizardcube, and Guard Crush Games were working on DLC titled “Mr. I proudly own a copy of this game for every platform it was released on and completed the campaign multiple times. Streets of Rage 4 delivered on all aspects from the art design, music, and storytelling, and of course gameplay. Port and Company: PC54 and PC61 are 100% cotton ( size chart), PC55 is a 50/50 blend.There is no denying it, Streets of Rage 4 was not only one of the best games of 2020 but also an instant classic to an already beloved classic series ( check out my review).Sizes 4X-6X are printed on the following shirts (as noted on individual product pages): American Apparel BB301 (50/50 polycotton blend)įangamer's larger unisex sizes must be printed on different garments due to product availability.American Apparel AA2102 (100 percent cotton).
Go back to the font chart and double-click on the peh cell - this will load peh into another tab in the glyph design panel, alongside the sheen tab.Ĭlick and drag to highlight the dot below peh, then press Delete. If you accidentally include or omit a node, deselect or select it by pressing Shift and clicking. Press V to ensure the pointer tool (arrowhead) in the toolbox is selected, and press Z and enlarge the panel to give you a good view of the glyph.Ĭlick and drag so that the nodes of the three dots above sheen change color from pink to beige. Double-click on the cell - this will open a glyph design panel. Now that beh is now copied into the peh cell, the next thing is to change the dot.įind a glyph with three dots - sheen (position 1588, U+0634) will do. Then right-click on the peh cell and select Paste. We will make peh by copying beh (U+0628) and swapping its single dot for three dots.Ĭlick on the beh cell (position 1576), then right-click and select Copy. The cell below the reference glyph contains a grey X, showing that the font does not include this glyph. Go to position 1662, which will show in blue as 1662 (0圆7e) U+067E “uni067E” ARABIC LETTER PEH. Go to the Arabic section of the font chart: select View - Go to, click the dropdown box and select Arabic, then click OK.Ĭlicking on a cell in the font chart will show its Unicode number and name in blue at the top of the panel. Add the glyph for the isolated form of peh You will get a message about generating a new UniqueID (XUID) for the font - click Change. If desired, you can place an ‘Additional glyphs added by’ message after the text already in the entry for Designer.Ĭlick OK to save these changes. These name changes will now allow you to install this font alongside the original one if you wish. Change the entries for Preferred Family and Compatible Full to GraphNew. In the TTF Names panel, the names for Family and Fullname are taken from the PS Names entries, and should already be showing GraphNew (you cannot edit them directly). If desired, you can place an ‘Additional glyphs added by’ message after the text already in the entry for Copyright. Select Element > Font Info, and in the PS Names panel, change Fontname, Family Name, and Name For Humans to GraphNew. It is also sensible to rename the font if you are going to distribute your adaptations - if the original author of the font has reserved the font name under the Reserved Font Name (RFN) mechanism, that original name can only be used with the original author’s version of the font. If you do not rename the font, your adapted font will not install separately from the original - you will have to uninstall the original font first. Rename the font Why should I rename the font? Save it as an sfd file, editing the suggested name to read GraphNew.sfd before saving. (For a full listing of the glyphs available for Arabic script, see the Unicode charts.)ĭownload the font from the webpage and unzip it. The font we will use is Graph, and the glyph we will add is peh (U+067E), which does not occur in Arabic itself, but designates p in some languages for which Arabic script is used. This chapter walks through adding a glyph to an Arabic font. If you adapt a font that was originally under an open license and then distribute it, you must retain the original author’s copyright notices and licensing information, although you can append a note at the end of the copyright notice covering your contribution. However, using the nonsense sequence dadad, the letter dal has only one shape, no matter where it occurs in the word.įonts under open licenses (e.g., GPL or OFL) allow the user to make modifications. Thus, using the nonsense sequence babab, the letter beh has three different shapes depending on whether it comes initially, medially, or finally. Arabic fonts present special issues here, because the shape of the glyph depends not only on its position in the word, but also on the attributes of the letter itself. In some cases a font may lack a glyph that is essential for its use in your application. Adding Glyphs to an Arabic Font Introduction It’s a conversation, not the Winter Olympics.” Let’s circle back about why to banish this jargon. “Circle back,” the judges wrote, ”treats colloquy like an ice skating rink, as if we must circle back to our previous location to return to a prior subject. In 1999, the phrase was banned because it was termed an “overused synopsis of a conversation or debate, often by politicians and pundits.” “Twenty-plus years after original banishment of this phrase in 1999, the day still isn’t over for this misused, overused, and useless expression,” the judges wrote. For example, “at the end of the day” is a particular thorn in the judges’ sides. Seven of the 10 words and terms to be banished are more conversational-based, with the other three applying to the coronavirus.”Įach phrase is followed by an explanation from the judges. This year, as the global pandemic persists along with adaptations to it, the inverse occurred. “Also, seven of the 10 words and terms that LSSU banished last year reflected real-world concerns about COVID-19, while three could be categorized as quotidian. That’s the distinction nominators far and wide made, and our judges agreed with them,” Peter Szatmary, executive director of marketing and communications at LSSU, said in a statement. Most people shouldn’t misspeak through informal discourse. “Most people speak through informal discourse. Second on the list is “no worries,” followed by “at the end of the day.” “The two-part halting interrogative is disingenuous, divergent, deflective, and other damning words that begin with the letter d.” “These two four-letter words should not go together under any circumstances,” the judges wrote. “Wait, what?” is most frequently found in texts and on social media, the contest judges from the LSSU English Department said in a statement. You will still access iconic cars from classic manufacturers such as Mercedes, Chevrolet, and Ferrari. However, it does not entirely drop classic vehicles. Even better, it includes modern vehicles from renowned manufacturers. This iteration takes the franchise to new heights with detailed graphics and realistic mechanics. Brief History of CSR Racing 2 APK & Everything You Need to KnowĬSR Racing 2 is a sequel to CSR Classic, a game released in 2012. Download CSR Racing 2 MOD APK 2023 and experience a unique racing adventure. 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